Semiotics of Consumer Culture in Michael Haneke's Films (Studies on Cinematography and Narrative in Film: Sequels, Serials, and Trilogies)
Yazarlar (1)
Dr. Öğr. Üyesi İrem Ayan DANACILAR Beykoz Üniversitesi, Türkiye
| Bölüm Adı | Semiotics of Consumer Culture in Michael Haneke's Films | ||
| Kitap Adı | Studies on Cinematography and Narrative in Film: Sequels, Serials, and Trilogies | ||
| Bölüm Sayfaları | 141-159 | ||
| Kitap Türü | Kitap Bölümü | ||
| Kitap Alt Türü | Alanında uluslararası yayınlanan kitap bölümü | ||
| Kitap Niteliği | Diğer uluslararası bilimsel kitap | ||
| Kitap Dili | İngilizce | Basım Tarihi | 01-2024 |
| DOI Numarası | – | ISBN | 9798369319581 |
| Basıldığı Ülke | Amerika Birleşik Devletleri | Basıldığı Şehir | |
| Kitap Linki | https://www.igi-global.com/book/studies-cinematography-narrative-film/330979 | ||
| UAK Araştırma Alanları |
İletişim Sosyolojisi
İletişim Araştırmaları
İletişim ve Kültür
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| Özet |
| This study's main aim is to examine consumer culture's effects on modern society and the semiotic elements in Michael Haneke's “City Trilogy” film series. The study aims to explain how Haneke criticizes consumer culture by using film language and symbols. The study mainly uses the semiotic analysis methods of Greimas and Barthes. In Haneke's films, he addresses themes of social isolation, violence, and alienation caused by consumer culture and provides deep meanings to his audience through visual signs and images. Particularly in the sequels, Haneke emphasizes the themes of the city, media, and violence, highlighting the detrimental effects of individualism in isolating people from society and increasing their sensitivity. This film series presents a highly critical perspective on consumption, suggesting that individuals can only gain freedom by distancing themselves from this concept. |
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